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	<title>At the Wrecking Ball IV</title>
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		<title>At the Wrecking Ball IV</title>
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		<title>A Showcase for Emerging Dance Artists</title>
		<link>http://thewreckingball.wordpress.com/2007/09/07/hello-world/</link>
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		<pubDate>Fri, 07 Sep 2007 19:35:33 +0000</pubDate>
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		<description><![CDATA[AT THE WRECKING BALL IV
Celebrating Toronto’s Leading Emerging Dance Artists
Thursday November 8 &#8211; 11 at the Theatre Centre
1087 Queen Street West (at Dovercourt)
Tickets at the door or reserve by emailing ambitiousenterprisesae@gmail.com
($15 adults, $12 seniors, students and CADA) For more information: 416-361-6102
Ambitious Enterprises presents At the Wrecking Ball IV, an evening of short works by Toronto’s [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thewreckingball.wordpress.com&blog=1669112&post=1&subd=thewreckingball&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p><span style="font-size:10pt;"></span><span style="font-size:10pt;"></span><font face="Times New Roman"><strong><font size="3">AT THE WRECKING BALL IV</font></strong><strong><span style="color:black;"><font size="3"><br />
Celebrating Toronto’s Leading Emerging Dance Artists</font></span></strong></font></p>
<p><strong>Thursday November 8 &#8211; 11 at the Theatre Centre</strong><br />
<strong><font face="Times New Roman"><span style="font-size:10pt;">1087 Queen Street West (at Dovercourt)</span><span style="font-size:10pt;"><br />
Tickets at the door or reserve by emailing <a href="mailto:ambitiousenterprisesae@gmail.com">ambitiousenterprisesae@gmail.com</a></span><span style="font-size:10pt;"><br />
($15 adults, $12 seniors, students and CADA) </span><span style="font-size:10pt;">For more information: 416-361-6102</span></font></strong></p>
<p><font face="Times New Roman"><strong><span style="font-size:10pt;">Ambitious Enterprises </span></strong><span style="font-size:10pt;">presents <strong><em>At the Wrecking Ball IV</em></strong>, an evening of short works by Toronto’s most promising emerging dance artists.<span>  </span>All seven world premieres on the program combine dance with another discipline; live percussion and vocals, animation, poetry, original score, visual projection, traditional Greek pantomime and aerial work are combined with dance to produce an unforgettable evening of original, cutting edge dance.<span> </span></span></font></p>
<p><font face="Times New Roman"><span style="font-size:10pt;"></span><span style="font-size:10pt;"> </span><strong><span style="font-size:10pt;">Ambitious Enterprises </span></strong><span style="font-size:10pt;">was formed by successful Toronto-based dance artists <strong>Tina Fushell</strong> and <strong>Kate Franklin </strong>to produce and promote the work of emerging dance artists. This fourth installment of their acclaimed <strong>At the</strong><span style="color:#333399;"> </span><strong>Wrecking Ball Series </strong>brings together the brightest stars on the emerging dance scene <strong>Piotr R. Biernat, Lucy Rupert, Holly Treddenick/Sabrina Pringle, Matthew Waldie and Allison Peacock, </strong>as well as new work by the artistic directors of <strong>Ambitious Enterprises.<span>  </span></strong>Featured in the pre-show on alternating programs are <strong>Miranda Abbott and Jonathon Osborn.<span>  </span></strong></span></font></p>
<p><span style="font-size:10pt;"><font face="Times New Roman"><strong><span></span></strong></font></span><font face="Times New Roman"><strong><span style="font-size:10pt;"> </span></strong><strong><em><u><span style="font-size:10pt;">To-get-her </span></u></em></strong><strong><u><span style="font-size:10pt;">(world premiere)<em> </em></span></u></strong><u><span style="font-size:10pt;"><strong>choreographed by </strong><strong>Piotr R. Biernat<em><br />
</em></strong></span></u><span style="font-size:10pt;">Known for his highly entertaining, theatrical dance works,<strong> Biernat </strong>combines contemporary movement with traditional Greek pantomime to tell the made-up “legend” of Hermes and Athena, two Greek Gods who never actually met in Greek Mythology. </span><span style="font-size:10pt;"> </span></font></p>
<p><span style="font-size:10pt;"></span><font face="Times New Roman"><strong><em><u><span style="font-size:10pt;">The Abecedarian</span></u></em></strong><strong><u><span style="font-size:10pt;"> (world premiere)</span></u></strong><u><span style="font-size:10pt;"> choreographed by <strong>Lucy Rupert<br />
</strong></span></u><span style="font-size:10pt;">Award-winning artist and artistic director of <strong>Blue Ceiling Dance, Lucy Rupert </strong>uses email, webcasts and film footage to create a duet from afar with dancer <strong>Kyle Abraham (New York/Pittsburgh).<span>  </span></strong>Songstress and poet <strong>Sarah Slean</strong> provides the words which are captured along with Abraham’s dancing in projected images which provide the sound score for Rupert’s live dancing.<span>  </span></span><span style="font-size:10pt;"> </span></font></p>
<p><span style="font-size:10pt;"><font face="Times New Roman"> </font></span><font face="Times New Roman"><strong><em><u><span style="font-size:10pt;">Impossibility </span></u></em></strong><strong><u><span style="font-size:10pt;">(world premiere) </span></u><u><span style="font-size:10pt;">choreographed by Sabrina Pringle and Holly Treddenick</span></u></strong><span style="font-size:10pt;"><br />
The hottest new aerial duo in town, the <strong>Femmes du Feu </strong></span><span style="font-size:10pt;">use</span><span style="font-size:10pt;"> harnesses, bungee and static rope to</span><strong><span style="font-size:10pt;"> </span></strong><span style="font-size:10pt;">explore the interpretations of two people experiencing the same dreams. In a place where not much makes sense and emotions are overwhelming these two characters cross paths in unexpected ways.</span><span style="font-size:10pt;color:#231f20;"> </span></font></p>
<p><span style="font-size:10pt;color:#231f20;"></span><font face="Times New Roman"><strong><em><u><span style="font-size:10pt;">Carniverous Ferns </span></u></em></strong><strong><u><span style="font-size:10pt;">(world premiere) </span></u></strong><u><span style="font-size:10pt;"><strong>choreographed by </strong><strong>Matthew Waldie<br />
</strong></span></u><span style="font-size:10pt;">A combination of dance and live vocal work through the choreography of Toronto Dance Theatre company member <strong>Matthew Waldie.</strong><span>  </span>Joined by talented Toronto-based singer/actor <strong>Aaron Kyte, </strong>Waldie<strong> </strong>creates a bizarre world in ten minutes.</span><span style="font-size:10pt;"> </span></font></p>
<p><span style="font-size:10pt;"></span><font face="Times New Roman"><strong><em><u><span style="font-size:10pt;">My Feelings and Shit </span></u></em></strong><strong><u><span style="font-size:10pt;">(world premiere) </span></u></strong><u><span style="font-size:10pt;"><strong>choreographed by </strong><strong>Allison Peacock<br />
</strong></span></u><span style="font-size:10pt;">Two Women + Hot skillz + Drums + Dance + Movies + Anger + Joy + Fear + Sadness + Disgust + Surprise + Curiousity + Acceptance= The Shit. </span><span style="font-size:10pt;">In collaboration with visual artist and musician <strong>Lindsey Gillard, Allison Peacock</strong> presents a work that features live music, animations and dance.<span>  </span>And feelings.</span><span style="font-size:10pt;"> </span></font></p>
<p><span style="font-size:10pt;"></span><font face="Times New Roman"><strong><em><u><span style="font-size:10pt;">Automaton Theatre </span></u></em></strong><strong><u><span style="font-size:10pt;">(world premiere) </span></u></strong><u><span style="font-size:10pt;"><strong>choreographed by </strong><strong>Kate Franklin<br />
</strong></span></u><span style="font-size:10pt;">Using “triggers” on stage to create sound, <strong>Franklin</strong><strong>’s </strong>new collaboration with composer <strong>Lyle Crilly</strong> is an interactive duet between dance and music.<span>  </span>Themes of time, clockwork automatons and reality/artifice are explored, using Steven Millhauser’s fiction as inspiration.<span>  </span></span><strong><span style="font-size:10pt;"> </span></strong></font></p>
<p><font face="Times New Roman"><strong><span style="font-size:10pt;"></span></strong><strong><em><u><span style="font-size:10pt;">How to be a Good Wife </span></u></em></strong><strong><u><span style="font-size:10pt;">(world premiere) </span></u></strong><u><span style="font-size:10pt;"><strong>choreographed by </strong><strong>Tina Fushell<br />
</strong></span></u><span style="font-size:10pt;">A look into the lives of four housewives from the 1950’s.<span>  </span>Seemingly unable to escape the monotony of their day-to-day lives, the women are bound together by their unhappiness.<span>  </span>Original score by <strong>Valerie Calam. </strong></span><u><span style="font-size:10pt;"></span></u><span style="font-size:10pt;"> </span></font></p>
<p><span style="font-size:10pt;"></span><font face="Times New Roman"><strong><span style="font-size:10pt;">Ambitious Enterprises</span></strong><span style="font-size:10pt;"> presents</span><strong><span style="font-size:10pt;"> At the Wrecking Ball IV</span></strong><strong><span style="font-size:10pt;"> November 8-11, 2007</span></strong><strong><span style="font-size:10pt;">Performance Times: Thurs Nov 8-Sun Nov 11 at 8pm, Sat Nov 10 and Sun Nov 11 matinees at 2pm</span></strong><strong><span style="font-size:10pt;">Theatre Centre</span></strong><span style="font-size:10pt;">, 1087 Queen Street West (at Dovercourt)</span><strong><span style="font-size:10pt;"> Tickets at the door or reserve by emailing <a href="mailto:ambitiousenterprisesae@gmail.com">ambitiousenterprisesae@gmail.com</a></span></strong><span style="font-size:10pt;"> ($15 adults, $12 seniors, students and CADA) </span><span style="font-size:10pt;">For more information: 416-361-6102</span><span style="font-size:10pt;">-30-</span><span style="font-size:10pt;"> </span></font></p>
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